A SCHOLARLY BOOK REPOSITORY923 start with D start with D
While politicians and pundits endlessly debate immigration policy, U.S. Border Patrol agents put their lives on the line to enforce immigration law. In a day's work, agents may catch a load of narcotics, apprehend groups of people entering the country illegally, and intercept a potential terrorist. Their days often include rescuing aliens from death by thirst or murder by border bandits, preventing neighborhood assaults and burglaries, and administering first aid to accident victims, and may involve delivering an untimely baby or helping stranded motorists. As Bill Broyles and Mark Haynes sum it up, "Border Patrol is a hero job," one that too often goes unrecognized by the public.
Desert Duty puts a human face on the Border Patrol. It features interviews with nineteen active-duty and retired agents who have worked at the Wellton, Arizona, station that watches over what is arguably the most perilous crossing along the border—a sparsely populated region of the Sonoran Desert with little water and summer temperatures that routinely top 110°F. The agents candidly discuss the rewards and frustrations of holding the line against illegal immigrants, smugglers, and other criminals—while often having to help the very people they are trying to thwart when they get into trouble in the desert. As one agent explains, "The thrill is tracking 'em up before they die. It's a rough ol' way to go—run outta water in this desert."
Southwest Book of the Year Award Winner
Pubwest Book Design Award Winner
Drawing on thousands of years of foodways, Tucson cuisine blends the influences of Indigenous, Mexican, mission-era Mediterranean, and ranch-style cowboy food traditions. This book offers a food pilgrimage, where stories and recipes demonstrate why the desert city of Tucson became American’s first UNESCO City of Gastronomy.
Both family supper tables and the city’s trendiest restaurants feature native desert plants and innovative dishes incorporating ancient agricultural staples. Award-winning writer Carolyn Niethammer deliciously shows how the Sonoran Desert’s first farmers grew tasty crops that continue to influence Tucson menus and how the arrival of Roman Catholic missionaries, Spanish soldiers, and Chinese farmers influenced what Tucsonans ate.
White Sonora wheat, tepary beans, and criollo cattle steaks make Tucson’s cuisine unique. In A Desert Feast, you’ll see pictures of kids learning to grow food at school, and you’ll meet the farmers, small-scale food entrepreneurs, and chefs who are dedicated to growing and using heritage foods. It’s fair to say, “Tucson tastes like nowhere else.”
Cage captures similarities in the respective desert landscapes of both Iraq and Nevada, but it is not just a study in contrasting landscapes. The inter-connected stories explore similarities and differences in human needs from the perspectives of vastly different cultures. Specifically, the stories deftly capture the overlap in the respective desert landscapes of each region, the contrasting cultures and worldviews, and the common need for hope. Taken together, the stories represent the arc of a year-long deployment by young soldiers. Cage’s stories are bound together by the soldier’s searing experiences in the desert, bookended by leaving and returning home to Nevada, which in many ways can be just as disorienting as patrolling the Iraq desert.
Reading eight major contemporary authors through the lens of chaos theory, Conte offers new and original interpretations of works that have been the subject of much critical debate
Design and Debris discusses the relationship between order and disorder in the works of John Hawkes, Harry Mathews, John Barth, Gilbert Sorrentino, Robert Coover, Thomas Pynchon, Kathy Acker, and Don DeLillo. In analyzing their work, Joseph Conte brings to bear a unique approach adapted from scientific thought: chaos theory. His chief concern is illuminating those works whose narrative structures locate order hidden in disorder (whose authors Conte terms “proceduralists”), and those whose structures reflect the opposite, disorder emerging from states of order (whose authors Conte calls “disruptors”).Documenting the paradigm shift from modernism, in which artists attempted to impose order on a disordered world, to postmodernism, in which the artist portrays the process of “orderly disorder,” Conte shows how the shift has led to postmodern artists' embrace of science in their treatment of complex ideas. Detailing how chaos theory interpenetrates disciplines as varied as economics, politics, biology, and cognitive science, he suggests a second paradigm shift: from modernist specialization to postmodern pluralism. In such a pluralistic world, the novel is freed from the purely literary and engages in a greater degree of interactivity-between literature and science, and between author and reader. Thus, Conte concludes, contemporary literature is a literature of flux and flexibility.
The interdisciplinary essays reflect the writers' diverse fields- architecture, planning, industrial and graphic design, and architectural, urban, and design history. Essays cover such subject as rethinking the American city, graphic design and the urban landscape, working at home, theories of women and design, and a trio of essays on industrial designs. A review essay of the literature in these fields- the first of its kind- rounds out the collection.
Contributors are Amelia Amon, Wendy E. Brawer, Cheryl Buckley, Sue Cavanagh, Alethea Cheng, Roberta M. Feldman, Etain Fitzpatrick, Alice T. Friedman, Dolores Hayden, Ghislaine Hermanuz, Barbara Knecht, Ellen Lupton, Maggie Mahboubian, Francine Monaco, Nancy Perkins, Victoria Rosner, Joan Rothschild, Susana Torre, Lynne Walker, and Leslie Kanes Weismann.
Handsomely designed itself, this volume showcases adaptable design models that can improve almost every part of the election process by maximizing the clarity and usability of ballots, registration forms, posters and signs, informational brochures and guides, and even administrative materials for poll workers. Design for Democracy also lays out specific guidelines—covering issues of color palette, typography, and image use—that anchor the comprehensive election design system devised by the group of design specialists from whose name the book takes its title. Part of a major AIGA strategic program, this group's prototypes and recommendations have already been used successfully in major Illinois and Oregon elections and, collected here, are likely to spread across the country as more people become aware of the myriad benefits and broad applicability of improved election design.
An essential tool for designers and election officials, lawmakers and citizens, Design for Democracy harnesses the power of design to increase voter confidence, promote government transparency, and, perhaps most important, create an informed electorate.
Following a vast expansion in the twentieth century, government is beginning to creak at the joints under its enormous weight. The signs are clear: a bloated civil service, low approval ratings for Congress and the President, increasing federal-state conflict, rampant distrust of politicians and government officials, record state deficits, and major unrest among public employees.
In this compact, clearly written book, the noted legal scholar Richard Epstein advocates a much smaller federal government, arguing that our over-regulated state allows too much discretion on the part of regulators, which results in arbitrary, unfair decisions, rent-seeking, and other abuses. Epstein bases his classical liberalism on the twin pillars of the rule of law and of private contracts and property rights—an overarching structure that allows private property to keep its form regardless of changes in population, tastes, technology, and wealth. This structure also makes possible a restrained public administration to implement limited objectives. Government continues to play a key role as night-watchman, but with the added flexibility in revenues and expenditures to attend to national defense and infrastructure formation.
Although no legal system can eliminate the need for discretion in the management of both private and public affairs, predictable laws can cabin the zone of discretion and permit arbitrary decisions to be challenged. Joining a set of strong property rights with sound but limited public administration could strengthen the rule of law, with its virtues of neutrality, generality, clarity, consistency, and forward-lookingness, and reverse the contempt and cynicism that have overcome us.
In this sweeping history of an iconic urban square, Merwood-Salisbury gives us a review of American political activism, philosophies of urban design, and the many ways in which a seemingly stable landmark can change through public engagement and design.
Published with the support of Furthermore: a program of the J. M. Kaplan Fund.
Charles Darwin’s monumental The Origin of Species, published in 1859, forever changed the landscape of natural science. The scientific world of the time had already established the principle of the “intelligent design” of a Creator; the art world had spent centuries devoting itself to the celebration of such a Designer’s creation. But the language of the book, and its implications, were stunning, and the ripples Darwin made when he rocked the boat spread outward: if he could question the Designer, what effect might there be on the art world, and on mortal designers’ renderings of Creation.
Published in partnership with the Mary and Leigh Block Museum of Art to accompany its exhibit, this catalog of essays and more than fifty color exhibition plates invokes these two senses of “intelligent design”—one from the debates between science and theology and the other from the world of art, particularly architecture and the decorative arts. The extensive exhibition includes furniture, metalware, glassware, textiles, and designs on loan from public and private collections in the United States and England. Among the artwork included are items from William Morris, C. R. Ashbee, Christopher Dresser, C. F. A. Voysey, Frank Lloyd Wright, and Louis Sullivan. Through these pieces and the accompanying examinations, the book explores how popular conceptions of the theory of evolution were used or rejected by British and American artists in the years that followed Darwin’s publication.
For people who care about urban school districts like Philadelphia’s, addressing the challenges that these schools face often boils down to the need for more money. But why are urban districts that serve Black and Brown students still so perennially underfunded compared to majority-white ones? Why is racial equity in school funding so hard to achieve?
In Designed to Fail, Roseann Liu provides an inside look at the Pennsylvania state legislature and campaigns for fair funding to show how those responsible for the distribution of school funding work to maintain the privileges of majority-white school districts. Liu analyzes how colorblind policies, political structures, and the maintenance of the status quo by people in power perpetuate wide and deepening racial disparities in education funding. Taking a lesson from community organizers fighting for a racially equitable school funding system, Liu’s work is a bold call to address structural racism at the root and organize from a place of abundant justice.
Designing Climate Solutions: A Policy Guide for Low-Carbon Energy is the first such guide, bringing together the latest research and analysis around low carbon energy solutions. Written by Hal Harvey, CEO of the policy firm Energy Innovation, with Robbie Orvis and Jeffrey Rissman of Energy Innovation, Designing Climate Solutions is an accessible resource on lowering carbon emissions for policymakers, activists, philanthropists, and others in the climate and energy community. In Part I, the authors deliver a roadmap for understanding which countries, sectors, and sources produce the greatest amount of greenhouse gas emissions, and give readers the tools to select and design efficient policies for each of these sectors. In Part II, they break down each type of policy, from renewable portfolio standards to carbon pricing, offering key design principles and case studies where each policy has been implemented successfully.
We don’t need to wait for new technologies or strategies to create a low carbon future—and we can’t afford to. Designing Climate Solutions gives professionals the tools they need to select, design, and implement the policies that can put us on the path to a livable climate future.
A powerful statement about the repercussions of discrimination and the benefits of diversity in architecture
Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color.
Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur most frequently in architecture: being offered added responsibility without a commensurate rise in position, salary, or credit; not being allowed to engage in client contact, field experience, or construction supervision; and being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian American architects.
Anthony discusses the profession's attitude toward flexible schedules, part-time contracts, and the demands of family and identifies strategies that have helped underrepresented individuals advance in the profession, especially establishing a strong relationship with a mentor. She also observes a strong tendency for underrepresented architects to leave mainstream practice, either establishing their own firms, going into government or corporate work, or abandoning the field altogether.
Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Designing for Diversity argues convincingly that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
In 2006 anthropologists Paul Rabinow and Gaymon Bennett set out to rethink the role that human sciences play in biological research, creating the Human Practices division of the Synthetic Biology Engineering Research Center—a facility established to create design standards for the engineering of new enzymes, genetic circuits, cells, and other biological entities—to formulate a new approach to the ethical, security, and philosophical considerations of controversial biological work. They sought not simply to act as watchdogs but to integrate the biosciences with their own discipline in a more fundamentally interdependent way, inventing a new, dynamic, and experimental anthropology that they could bring to bear on the center’s biological research.
Designing Human Practices is a detailed account of this anthropological experiment and, ultimately, its rejection. It provides new insights into the possibilities and limitations of collaboration, and diagnoses the micro-politics which effectively constrained the potential for mutual scientific flourishing. Synthesizing multiple disciplines, including biology, genetics, anthropology, and philosophy, alongside a thorough examination of funding entities such as the National Science Foundation, Designing Human Practices pushes the social study of science into new and provocative territory, utilizing a real-world experience as a springboard for timely reflections on how the human and life sciences can and should transform each other.
This fascinating book examines the Regional Planning Association of America (RPAA), a loosely organized association of ambitious and influential planners who hoped to guide the new urban and industrial developments of the early twentieth century and thereby design a radically improved America. After discussing the roots of this effort in the Progressive and World War I periods, Edward K. Spann traces the development of the RPAA from its formation in 1923 through the decades of its greatest effort (which ended in 1934) to its decline and ultimate demise in the late 1930s. Taking a biographical approach and drawing on both published works and private correspondence, the book focuses on the richly varied thoughts and activities of the leading members of the RPAA regarding significant aspects of urban and regional planning.
The members of the RPAA discussed here include Charles Harris Whitaker, Frederick L. Ackerman, Robert D. Kohn, Benton MacKaye, Clarence Stein, Lewis Mumford, Henry Wright, Robert Bruere, Stuart Chase, Edith Elmer Wood, and Catherine Bauer. Spann threads together the philosophies and work of these individuals by focusing on important points in the movement's history, such as the emergence of a community housing movement in World War I, the development of Benton MacKaye's seminal idea of the Appalachian Trail as an instrument for rural reconstruction, and Lewis Mumford's efforts to foster the idealism he thought necessary for successful planning. Spann also looks at Clarence Stein's work with regional planning in New York State during the governorship of Alfred E. Smith; the birth of the RPAA and its early publicity efforts, which culminated in the famous regional planning issue of Survey Graphic; the RPAA's differences with the Regional Plan of New York; the relationship between the RPAA and Franklin Delano Roosevelt during the Great Depression; and the early years of the Tennessee Valley Authority.
This work should appeal not only to students of city and regional planning, of architecture, and of environmentalism, but to all those interested in the intellectual developments of the period between 1914 and 1938, especially as they relate to an important phase of modernization in the United States.
Coinciding with the centennial of the Pan American Union (now the Organization of American States), González explores how nineteenth- and twentieth-century U.S. architects and their clients built a visionary Pan-America to promote commerce and cultural exchange between United States and Latin America.
Late in the nineteenth century, U.S. commercial and political interests began eyeing the countries of Latin America as plantations, farms, and mines to be accessed by new shipping lines and railroads. As their desire to dominate commerce and trade in the Western Hemisphere grew, these U.S. interests promoted the concept of "Pan-Americanism" to link the United States and Latin America and called on U.S. architects to help set the stage for Pan-Americanism's development. Through international expositions, monuments, and institution building, U.S. architects translated the concept of a united Pan-American sensibility into architectural or built form. In the process, they also constructed an artificial ideological identity—a fictional Pan-America peopled with imaginary Pan-American citizens, the hemispheric loyalists who would support these projects and who were the presumed benefactors of this presumed architecture of unification.
Designing Pan-America presents the first examination of the architectural expressions of Pan-Americanism. Concentrating on U.S. architects and their clients, Robert Alexander González demonstrates how they proposed designs reflecting U.S. presumptions and projections about the relationship between the United States and Latin America. This forgotten chapter of American architecture unfolds over the course of a number of international expositions, ranging from the North, Central, and South American Exposition of 1885–1886 in New Orleans to Miami's unrealized Interama fair and San Antonio's HemisFair '68 and encompassing the Pan American Union headquarters building in Washington, D.C. and the creation of the Columbus Memorial Lighthouse in the Dominican Republic.
Williamson argues that suburbia has historically been a site of great experimentation and is currently primed for exciting changes. Today, dead malls, aging office parks, and blighted apartment complexes are being retrofitted into walkable, sustainable communities. Williamson shows how to expand this trend, highlighting promising design strategies and tactics.
She provides a broad vision of suburban reform based on the best schemes submitted in Long Island's highly successful "Build a Better Burb" competition. Many of the design ideas and plans operate at a regional scale, tackling systems such as transit, aquifer protection, and power generation. While some seek to fundamentally transform development patterns, others work with existing infrastructure to create mixed-use, shared networks.
Designing Suburban Futures offers concrete but visionary strategies to take the sprawl out of suburbia, creating a vibrant, new suburban form. It will be especially useful for urban designers, architects, landscape architects, land use planners, local policymakers and NGOs, citizen activists, students of urban design, planning, architecture, and landscape architecture.
Written in a clear and engaging style, Designing the City is a practical manual for improving the way communities are planned, designed, and built. It presents a wealth of information on design and decision-making, including advice on how citizens and activists can make their voices heard, and numerous examples of effective strategies for working with all parties involved in neighborhood and community development. It highlights proven models and strategies to help communities:
- establish unique and productive partnerships with public works and transportation departments
- develop resources through grant programs
- broaden expertise, perspective, and constituency
- create new and enduring models for effective action
- educate participants and consumers of the design and development process
It is a story that has gone down in the annals of American art history: a New Yorker visiting upstate Hoosick Falls is entranced by four pictures hanging in the window of a drugstore. Investigating further, he learns they are the handiwork of a 78-year-old widow. Thus begins the rise to fame of Grandma Moses—farmwife, painter, and unlikely celebrity.
In this book Karal Ann Marling, distinguished observer of American visual culture, looks at Grandma Moses as a cultural phenomenon of the postwar period and explores the meaning of her subject matter—and her astonishing fame. What did the “Greatest Generation” see in her simple renderings of people, young and old, tapping maple trees for syrup, making apple butter, gliding across snowy fields on sleighs? Why did Bob Hope, Irving Berlin, and Harry Truman all love her—and the art czars of New York openly despise her? Through the flood of Moses merchandise—splashed across Christmas cards, dishware, yard goods, and gewgaws of every kind—Marling traces the resonances that these “primitive” images struck in an America awkwardly adjusting to a new era of technology, suburbia, and Cold War tensions.
Between the cultural ephemera, folklore, song, and history embedded in Moses’s paintings and the potent advertising shorthand for Americana that her images rapidly became, this book reveals the widespread longing for the memories, comforts, and small victories of a mythic, intimate American past tapped by the phenomenon—in art and commerce alike—of Grandma Moses.
Uniquely weaving together psychoanalytic, feminist, queer, and literary theory as well as memoir to examine the value and meaning of relationships between women, Juhasz explores the writings of adult daughters, mothers, and lovers to consider how language both traces and shapes the contours of experience. She emphasizes the initial bond between mother and infant as the bedrock of identity formation, a process involving love, recognition, desire, and language, and shows how that relationship serves as source and model for all future loves.
Juhasz's lucid prose unravels the meaningful yet overlooked intricacies of the relationships that inflect much of women's writing in the twentieth century.
"Most extraordinary about Leila J. Rupp's indeed short, two-hundred-page history of 'same-sex love and sexuality' is not that it manages to account for such a variety of individuals, races, and classes or take in such a broad chronological and thematic range, but rather that it does all this with such verve, lucidity, and analytical rigor. . . . [A]n elegant, inspiring survey." —John Howard, Journal of American History
Every culture throughout history has obsessed over various “end of the world” scenarios. The dawn of the Atomic Age marked a new twist in this tale. For the first time, our species became aware of its capacity to deliberately destroy itself. Since that time the Bomb has served as an organizing metaphor, a symbol of human annihilation, a stand-in for the unspeakable void of extinction, and a discursive construct that challenges the limits of communication itself. The parallel fascination with and abhorrence of nuclear weapons has metastasized into a host of other end-of-the-world scenarios, from global pandemics and climate change to zombie uprisings and asteroid collisions.
Desiring the Bomb: Communication, Psychoanalysis, and the Atomic Age explores these world-ending fantasies through the lens of psychoanalysis to reveal their implications for both contemporary apocalyptic culture and the operations of language itself. What accounts for the enduring power of the Bomb as a symbol? What does the prospect of annihilation suggest about language and its limits? Thoroughly researched and accessibly written, this study expands on the theories of Kenneth Burke, Jacques Lacan, Sigmund Freud, and many others from a variety of disciplines to arrive at some answers to these questions.
Calum L. Matheson undertakes a series of case studies—including the Trinity test site, nuclear war games, urban shelter schemes, and contemporary survivalism—and argues that contending with the anxieties (individual, social, cultural, and political) born of the Atomic Age depends on rhetorical conceptions of the “real,” an order of experience that cannot be easily negotiated in language. Using aspects of media studies, rhetorical theory, and psychoanalysis, the author deftly engages the topics of Atomic Age survival, extinction, religion, and fantasy, along with their enduring cultural legacies, to develop an account of the Bomb as a signifier and to explore why some Americans have become fascinated with fantasies of nuclear warfare and narratives of postapocalyptic rebirth.
A Telegraph Book of the Year
A Washington Post Notable Work
A Times Book of the Year
A Hughes Award Finalist
“An indisputable masterpiece…comprehensive, fascinating, and persuasive.”
—Wall Street Journal
“Brimming with wisdom and brio, this masterful work spans the history of psychiatry. Exceedingly well-researched, wide-ranging, provocative in its conclusions, and magically compact, it is riveting from start to finish. Mark my words, Desperate Remedies will soon be a classic.”
—Susannah Cahalan, author of Brain on Fire
“Compulsively readable…Scull has joined his wide-ranging reporting and research with a humane perspective on matters that many of us continue to look away from.”
—Daphne Merkin, The Atlantic
"Scull's fascinating and enraging book is the story of the quacks and opportunists who have claimed to offer cures for mental illness...Madness remains the most fascinating—arguably the defining—aspect of Homo sapiens."
—Sebastian Faulks, Sunday Times
“I would recommend this fascinating, alarming, and alerting book to anybody. For anyone referred to a psychiatrist it is surely essential.”
—The Spectator
For more than two hundred years disturbances of the mind have been studied and treated by the medical profession. Mental illness, some insist, is a disease like any other, from which one can be cured. But is this true?
From the birth of the asylum to the latest drug trials, Desperate Remedies brings together a galaxy of mind doctors working in and out of institutional settings: psychologists and psychoanalysts, neuroscientists and cognitive behavioral therapists, as well as patients and their families desperate for relief. Surprising, disturbing, and compelling, this passionate account of America’s long battle with mental illness challenges us to revisit some of our deepest assumptions and to confront the epidemic of mental illness so visible all around us.
An informative handbook and introduction to the Midwest's colorful past, Destination Heartland provides travelers with a knowledgeable companion on the highways and backroads of history.
States covered in the book: Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin.
A little-known fact about the prominent US psychologist and educator Carl E. Seashore (1866–1949) is that he was deeply involved in the American eugenics movement. He was among the US academics to support eugenics long before German Nazis embraced it. A titan in a host of disciplines and a proponent of radical education reform, Seashore used his positional power to promote a constellation of education reforms consistent with central precepts of eugenics. Many of these reforms, including tracking, gifted and talented programs, and high-stakes standardized testing, were adopted and remain standard practice in the United States today. He promulgated the idea that musical talent is biologically inheritable, and he developed the first standardized tests of musical talent; these tests were used by early-twentieth-century researchers in their attempts to determine whether there are race differences in musical talent. Seashore’s ideas and work profoundly shaped music education’s research trajectory, as well as enduring “commonsense” beliefs about musical ability. An intersectional analysis, “Destined to Fail” focuses on the relationship between eugenics and Seashore’s views on ability, race, and gender. Koza concludes that Seashore promoted eugenics and its companion, euthenics, because he was a true believer. She also discusses the longstanding silences surrounding Seashore’s participation in eugenics. As a diagnosis and critique of the present, “Destined to Fail” identifies resemblances and connections between past and present that illustrate the continuing influence of eugenics—and the systems of reasoning that made early-twentieth-century eugenics imaginable and seem reasonable—on education discourse and practice today. It maps out discursive, citational, and funding connections between eugenicists of the early twentieth-century and contemporary White supremacists; this mapping leads to some of Donald Trump’s supporters and appointees.
Destructive Sublime traces a new aesthetic history of the World War II combat genre by looking back at it through the lens of contemporary video games like Call of Duty. Allison locates some of video games’ glorification of violence, disruptive audiovisual style, and bodily sensation in even the most canonical and seemingly conservative films of the genre. In a series of case studies spanning more than seventy years—from wartime documentaries like The Battle of San Pietro to fictional reenactments like The Longest Day and Saving Private Ryan to combat video games like Medal of Honor—this book reveals how the genre’s aesthetic forms reflect (and influence) how American culture conceives of war, nation, and representation itself.
2017 Association for the Study of Food and Society Award, best edited collection.
The fifteen essays collected in Dethroning the Deceitful Pork Chop utilize a wide variety of methodological perspectives to explore African American food expressions from slavery up through the present. The volume offers fresh insights into a growing field beginning to reach maturity. The contributors demonstrate that throughout time black people have used food practices as a means of overtly resisting white oppression—through techniques like poison, theft, deception, and magic—or more subtly as a way of asserting humanity and ingenuity, revealing both cultural continuity and improvisational finesse. Collectively, the authors complicate generalizations that conflate African American food culture with southern-derived soul food and challenge the tenacious hold that stereotypical black cooks like Aunt Jemima and the depersonalized Mammy have on the American imagination. They survey the abundant but still understudied archives of black food history and establish an ongoing research agenda that should animate American food culture scholarship for years to come.
Contributors. Hōkūlani K. Aikau, Malia Akutagawa, Adele Balderston, Kamanamaikalani Beamer, Ellen-Rae Cachola, Emily Cadiz, Iokepa Casumbal-Salazar, David A. Chang, Lianne Marie Leda Charlie, Greg Chun, Joy Lehuanani Enomoto, S. Joe Estores, Nicholas Kawelakai Farrant, Jessica Ka‘ui Fu, Candace Fujikane, Linda H. L. Furuto, Sonny Ganaden, Cheryl Geslani, Vernadette Vicuña Gonzalez, Noelani Goodyear-Ka‘ōpua, Tina Grandinetti, Craig Howes, Aurora Kagawa-Viviani, Noelle M. K. Y. Kahanu, Haley Kailiehu, Kyle Kajihiro, Halena Kapuni-Reynolds, Terrilee N. Kekoolani-Raymond, Kekuewa Kikiloi, William Kinney, Francesca Koethe, Karen K. Kosasa, N. Trisha Lagaso Goldberg, Kapulani Landgraf, Laura E. Lyons, David Uahikeaikalei‘ohu Maile, Brandy Nālani McDougall, Davianna Pōmaika‘i McGregor, Laurel Mei-Singh, P. Kalawai‘a Moore, Summer Kaimalia Mullins-Ibrahim, Jordan Muratsuchi, Hanohano Naehu, Malia Nobrega-Olivera, Katrina-Ann R. Kapā‘anaokalāokeola Nākoa Oliveira, Jamaica Heolimelekalani Osorio, No‘eau Peralto, No‘u Revilla, Kalaniua Ritte, Maya L. Kawailanaokeawaiki Saffery, Dean Itsuji Saranillio, Noenoe K. Silva, Ty P. Kāwika Tengan, Stephanie Nohelani Teves, Stan Tomita, Mehana Blaich Vaughan, Wendy Mapuana Waipā, Julie Warech
The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene.
This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Musicwill be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados.
An archaeologically grounded history of six legendary places in Detroit
The city of Detroit has endured periods of unprecedented industrial growth, decline, and revitalization between the late nineteenth century and the present. In Detroit Remains: Archaeology and Community Histories of Six Legendary Places, Krysta Ryzewski presents six archaeological case studies of legendary Detroit institutions—Little Harry speakeasy, the Ransom Gillis house, the Blue Bird Inn, Gordon Park, the Grande Ballroom, and the Halleck Street log cabin—that trace the contours of the city’s underrepresented communities and their relationship to local currents of capitalism and social justice. Through a combination of rigorous historical archaeological research and narrative storytelling, Ryzewski deftly contextualizes the cases within the city’s current struggles, including recovery from bankruptcy, and future-oriented recovery efforts.
This is the first historical archaeology book focused on Detroit and one of the few to foreground the archaeology of the Great Migration era (ca. 1915–1970). The archaeological scholarship is rooted in collaborative, community-involved, and public-facing initiatives. The case studies examine how power is and has been exercised in Detroit’s communities over the past century: how it was stripped from the city’s twentieth- and twenty-first-century residents, but also how they acquired alternative sources of agency by establishing creative and illicit economies, most of which still operated within the city’s capitalist framework.
Throughout this book, connections run deep between archaeology, heritage, politics, historic preservation, and storytelling. Detroit Remains demonstrates how the city’s past, present, and future lie not in ruins but in the tangible archaeological traces of the everyday lives of Detroiters and their legacies.
Every city has an environmental story, perhaps none so dramatic as Pittsburgh's. Founded in a river valley blessed with enormous resources-three strong waterways, abundant forests, rich seams of coal-the city experienced a century of exploitation and industrialization that degraded and obscured the natural environment to a horrific degree. Pittsburgh came to be known as “the Smoky City,” or, as James Parton famously declared in 1866, “hell with the lid taken off.”
Then came the storied Renaissance in the years following World War II, when the city's public and private elites, abetted by technological advances, came together to improve the air and renew the built environment. Equally dramatic was the sweeping deindustrialization of Pittsburgh in the 1980s, when the collapse of the steel industry brought down the smokestacks, leaving vast tracks of brownfields and riverfront. Today Pittsburgh faces unprecedented opportunities to reverse the environmental degradation of its history.
In Devastation and Renewal, scholars of the urban environment post questions that both complicate and enrich this story. Working from deep archival research, they ask not only what happened to Pittsburgh's environment, but why. What forces-economic, political, and cultural-were at work? In exploring the disturbing history of pollution in Pittsburgh, they consider not only the sooty skies, but also the poisoned rivers and creeks, the mined hills, and scarred land. Who profited and who paid for such “progress”? How did the environment Pittsburghers live in come to be, and how it can be managed for the future?
In a provocative concluding essay, Samuel P. Hays explores Pittsburgh's “environmental culture,” the attitudes and institutions that interpret a city's story and work to create change. Comparing Pittsburgh to other cities and regions, he exposes exaggerations of Pittsburgh's environmental achievement and challenges the community to make real progress for the future.
A landmark contribution to the emerging field of urban environmental history, Devastation and Renewal will be important to all students of cities, of cultures, and of the natural world.
Developing Animals compellingly investigates the way photography changed our perception of animals. Brower analyzes how photographers created new ideas about animals as they moved from taking pictures of taxidermic specimens in so-called natural settings to the emergence of practices such as camera hunting, which made it possible to capture images of creatures in the wild.
By combining approaches in visual cultural studies and the history of photography, Developing Animals goes further to argue that photography has been essential not only to the understanding of wildlife but also to the conceptual separation of humans and animals.
Drawing on research conducted at the thirteen institutions of the Great Lakes Colleges Association, Vicki L. Baker, Laura Gail Lunsford, and Meghan J. Pifer propose a compelling Alignment Framework for Faculty Development in Liberal Arts Colleges to show how these colleges succeed—or sometimes fail—in providing their faculties with the right support to be successful.
Ten scholars whose specialties range from ethnohistory to remote sensing and lithic analysis to bioarchaeology chronicle changes in the way prehistory in the Southeast has been studied since the 19th century. Each brings to the task the particular perspective of his or her own subdiscipline in this multifaceted overview of the history of archaeology in a region that has had an important but variable role in the overall development of North American archaeology.
Some of the specialties discussed in this book were traditionally relegated to appendixes or ignored completely in site reports more than 20 years old. Today, most are integral parts of such reports, but this integration has been hard won. Other specialties have been and will continue to be of central concern to archaeologists. Each chapter details the way changes in method can be related to changes in theory by reviewing major landmarks in the literature. As a consequence, the reader can compare the development of each subdiscipline.
As the first book of this kind to deal specifically with the region, it be will valuable to archaeologists everywhere. The general reader will find the book of interest because the development of southeastern archaeology reflects trends in the development of social science as a whole.
Contributors include:
Jay K. Johnson, David S. Brose, Jon L. Gibson, Maria O. Smith, Patricia K. Galloway, Elizabeth J. Reitz, Kristen J. Gremillion, Ronald L. Bishop, Veletta Canouts, and W. Fredrick Limp
"An outstanding combination of literary interpretation and cultural and historical context that will be an important addition to the critical literature on Hawthorne."
---Nina Baym, University of Illinois
"It is difficult to imagine a more timely book than Devils and Rebels. Examining the role of the public intellectual and writer during a time of political conflict and war, Reynolds takes up his charges with great precision and historical finesse. What particularly distinguishes this book is its attention to the ways in which one of this country's most important authors struggled to resist the waves of political extremism and patriotic hysteria that swept around him."
---Jeffrey Steele, University of Wisconsin—Madison
Widely condemned even in his own time, Nathaniel Hawthorne's views on abolitionism and slavery are today frequently characterized by scholars as morally reprehensible. Devils and Rebels explores the historical and biographical record to reveal striking evidence of the author's true political values---values grounded in pacifism and resistant to the kind of binary thinking that could lead to violence and war.
The book offers fresh readings of not only Hawthorne's four major romances but also some of his less familiar works like "Legends of the Province House," The Whole History of Grandfather's Chair, Journal of an African Cruiser, The Life of Franklin Pierce, and "Septimius Felton." Reynolds argues that Hawthorne---whether in his politics or his art---drew upon racialized imagery from America's past revolution and war on witchcraft to create a politics of quiet imagination, alert to the ways in which New England righteousness could become totalitarian by imposing its narrow view of the world on others.
Meticulously researched and cogently argued, this groundbreaking work demonstrates the need to examine perspectives and values from beyond the New England region when studying the literary history of the American Renaissance and illuminates the difficulties faced by public intellectuals during times of political strife---an issue as relevant today as it was some one hundred and fifty years ago.
Larry J. Reynolds is Thomas Franklin Mayo Professor of Liberal Arts and Professor of English at Texas A&M University. His previous books include A Historical Guide to Nathaniel Hawthorne, National Imaginaries, American Identities: The Cultural Work of American Iconography, and European Revolutions and the American Literary Renaissance as well as an edition of the European writings of Margaret Fuller.
The last the boy Papa saw of his Momma, she was galloping away on her horse Precious in the saddle her father took from a dead Mexican officer after the Battle of San Jacinto, fleeing from his Daddy, Old Karl, a vicious, tight-fisted horse trader. Momma’s flight sets Papa on a relentless quest to find her that thrusts him and his scrappy little dog Fritz into adventures all across the wild and woolly Hill Country of Central Texas, down to Mexico, and even into the realm of the ghostly “Shimmery People.” In The Devil’s Backbone, master storyteller Bill Wittliff takes readers on an exciting journey through a rough 1880s frontier as full of colorful characters and unexpected turns of events as the great American quest novel Adventures of Huckleberry Finn.
Wittliff grew up listening to stories and memories like these in his own family, and in this imaginative novel, they come to vivid life, creating an engrossing story of a Texas Huck Finn that brims with folk wisdom and sly humor. A rogue’s gallery of characters thwart and aid Papa’s path—Old Karl, hell-bent on bringing the boy back to servitude on his farm, and Herman, Papa’s brother who’s got Old Karl’s horse-trading instincts and greed; Calley Pearsall, an enigmatic cowboy with “other Fish to Fry” who might be an outlaw or a trustworthy “o’Amigo”; o’Jeffey, a black seer who talks to the spirits but won’t tell Papa what she has divined about his Momma; Mister Pegleg, a three-legged coyote with whom Papa forms a poignant, nearly tragic friendship; the “Mexkins” Pepe and Peto and their father Old Crecencio, whose longing for his lost family is as strong as Papa’s; and blind Bird, a magical “blue baby” who can’t see with his eyes but who helps other people see what they hold in their hearts. Papa’s adventures draw him ever nearer to a mysterious cave that haunts his dreams—an actual cave that he discovers at last in the canyons of the Devil’s Backbone—but will he find Momma before Old Karl finds him?
The Devil’s Fork opens with the boy Papa exclaiming, “They was gonna hang my o’Amigo Calley Pearsall out there in front a’the Alamo down in San Antoneya come Saturday Noon and if I was gonna stop it I better Light a Shuck and Get on with it. And I mean Right Now.” And so Papa and his sweetheart Annie Oster set off to rescue Calley, thereby launching themselves into another series of hair-raising adventures.
The Devil’s Fork concludes the enthralling journey through wild and woolly Central Texas in the 1880s that began in The Devil’s Backbone and The Devil’s Sinkhole. Papa springs Calley from jail, but their troubles are far from over. Framed for murder, the two amigos have to flee for their lives. Joining their flight this time is o’Johnny, the evil Sheriff Pugh’s disabled little brother, who has uncanny abilities. Escaping danger for a while, Papa and Calley try to start a new life as horse traders, only to find themselves branded as horse thieves when o’Johnny and a mysterious white ghost horse begin rescuing abused horses from their masters. Can Papa and Calley escape the noose and save all the horses that Johnny and the White Horse liberate? Or will their own hot tempers send them down the Devil’s Fork, from which no one ever returns?
Proving himself a master storyteller once again, Bill Wittliff spins a yarn as engrossing as the stories his own Papa told him long ago, stories that inspired The Devil’s Backbone, The Devil’s Sinkhole, and The Devil’s Fork.
The first book-length study of one of the Civil War's most outlandish and mysterious characters
Devil's Game traces the amazing career of Charles A. Dunham, Civil War spy, forger, journalist, and master of dirty tricks. Writing for a variety of New York papers under alternate names, Dunham routinely faked stories, created new identities, and later boldly cast himself to play those roles. He achieved his greatest infamy when he was called to testify in Washington concerning Abraham Lincoln's assassination. Many parts of Dunham's career remain shadowy, but Cumming offers the first detailed tour of Dunham's convoluted, high-stakes, international deceits, including his effort to sell Lincoln on plans for a raid to capture Jefferson Davis.
Exhaustively researched and unprecedented in depth, this carefully crafted assessment of Dunham's motives, personality, and the complex effects of his schemes changes assumptions about covert operations during the Civil War.
When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation.
Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll’s popularity grew, white preachers tried to distance their flock from this “blasphemous jungle music,” with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed.
Stephens argues that in the early days of rock ’n’ roll, faith served as a vehicle for whites’ racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus’s message within their own religious community and project it into a secular world. In Stephens’s compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.
When last we saw the boy Papa in The Devil’s Backbone, he had finally learned the fate of his missing Momma and his vicious daddy, Old Karl. But hardly has he concluded that quest before another one is upon him. Now a white-haired man with a hangman’s noose around his neck and death in his eye—o’Pelo Blanco—is coming. And he means to hang Papa.
In The Devil’s Sinkhole, the master storyteller Bill Wittliff takes us on another enthralling journey through wild and woolly Central Texas in the 1880s. When Papa and his o’amigo Calley Pearsall confront Pelo Blanco before he can ambush Papa, the encounter sets them on a pursuit with a promise of true love at the end, if only they can stay alive long enough for Calley to win the beautiful Pela Rosa, the captive/companion of Pelo Blanco. But before they can even hope to be united with Pela and Annie Oster, Papa’s plucky sweetheart, Papa and Calley have to defeat not only Pelo Blanco but also the evil, murdering Arlon Clavic and deliver Little Missey, the mysterious Wild Woman a’the Navidad, to the safe haven of the Choat farm. With dangers and emergencies around every bend, it’s a rough ride to the Devil’s Sinkhole, where this world and the next come together, bringing Papa and Calley, Pelo Blanco and Arlon to a climax that will leave readers clamoring for the next adventure.
Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.
Debunking the notion of anthropology as a "value-free" science, the authors argue forcefully for an anthropology expressly committed to cultural pluralism and democratic participation.
At the same time, individual essays demonstrate the applicability of standard anthropological methods to the study of contemporary U.S. society and culture as they investigate contested values, community politics, middle-class economics, and workplace culture or describe the psychophysiological stress effects of exclusion on African- Americans and the coping mechanisms of Mexican-Americans along the border.
Diagnosing America and the challenging "Statement to the Profession" that concludes it call for anthropologists to reach beyond the parochialism of their own discipline and to engage history, economics, sociology, and the policy sciences. It will be of interest to scholars in each of these fields who are concerned with the study and resolution of contemporary social problems in the United States and to students of American culture in this country and abroad.
Shepard Forman is Director of the International Affairs Program of the Ford Foundation and a former Professor of Anthropology, University of Michigan.
Dr. Hightower’s quest for answers led her to mercury, a poison that has been plaguing victims for centuries and is now showing up in seafood. But this “explanation” opened a Pandora’s Box of thornier questions. Why did some fish from supermarkets and restaurants contain such high levels of a powerful poison? Why did the FDA base its recommendations for “safe” mercury consumption on data supplied by Saddam Hussein’s Ba’athist extremists? And why wasn’t the government warning its citizens?
In Diagnosis: Mercury, Dr. Hightower retraces her investigation into the modern prevalence of mercury poisoning, revealing how political calculations, dubious studies, and industry lobbyists endanger our health. While mercury is a naturally occurring element, she learns there’s much that is unnatural about this poison’s prevalence in our seafood. Mercury is pumped into the air by coal-fired power plants and settles in our rivers and oceans, and has been dumped into our waterways by industry. It accumulates in the fish we eat, and ultimately in our own bodies. Yet government agencies and lawmakers have been slow to regulate pollution or even alert consumers.
Why? The trail of evidence leads to Canada, Japan, Iraq, and various U.S. institutions, and as Dr. Hightower puts the pieces together, she discovers questionable connections between ostensibly objective researchers and industries that fear regulation and bad press. Her tenacious inquiry sheds light on a system in which, too often, money trumps good science and responsible government. Exposing a threat that few recognize but that touches many, Diagnosis: Mercury should be required reading for everyone who cares about their health.
Applies linguistics methods for a richer understanding of literary texts and spoken language.
Dialect and Dichotomy outlines the history of dialect writing in English and its influence on linguistic variation. It also surveys American dialect writing and its relationship to literary, linguistic, political, and cultural trends, with emphasis on African American voices in literature.
Furthermore, this book introduces and critiques canonical works in literary dialect analysis and covers recent, innovative applications of linguistic analysis of literature. Next, it proposes theoretical principles and specific methods that can be implemented in order to analyze literary dialect for either linguistic or literary purposes, or both. Finally, the proposed methods are applied in four original analyses of African American speech as represented in major works of fiction of the American South—Mark Twain's Adventures of Huckleberry Finn, Charles W. Chesnutt's The Conjure Woman, William Faulkner's The Sound and the Fury, and Zora Neale Hurston's Their Eyes Were Watching God.
Dialect and Dichotomy is designed to be accessible to audiences with a variety of linguistic and literary backgrounds. It is an ideal research resource and course text for students and scholars interested in areas including American, African American, and southern literature and culture; linguistic applications to literature; language in the African American community; ethnicity and representation; literary dialect analysis and/or computational linguistics; dialect writing as genre; and American English.
Dialogues/Dialogi pairs stories by Tillie Olsen, Toni Cade Bambara, Jayne Anne Phillips, and Leslie Marmon Silko (reprinted here in full) with Russian stories by I. Grekova, Liudmila Petrushevskaya, Elena Makarova, and Anna Nerkagi, many of them appearing here for the first time in English. Exquisite in their stylistic and thematic variety, suggestive of the range of women's experience and fiction in both countries, each story is the subject of paired interpretive essays by an American and an (ex)Soviet critic from among the book's authors.
A colloquy of diverse voices speaking together in multiple, mutually illuminating exchanges, Dialogues/Dialogi testifies to the possibility of evolving relationships among women across borders once considered impassable.
Winner of the 2014 Clinton Jackson Coley Award for Best Work on Alabama Local History from the Alabama Historical Association
Diaries of Girls and Women captures and preserves the diverse lives of forty-seven girls and women who lived in Minnesota, Iowa, and Wisconsin between 1837 and 1999—young schoolgirls, adolescents coming of age, newlywed wives, mothers grieving the loss of children, teachers, nurses, elderly women, Luxembourger immigrant nuns, and women traveling abroad. A compelling work of living history, it brings together both diaries from historical society archives and diaries still in possession of the diarists or their descendents.
Editor Suzanne L. Bunkers has selected these excerpts from more than 450 diaries she examined. Some diaries were kept only briefly, others through an entire lifetime; some diaries are the intensely private record of a life, others tell the story of an entire family and were meant to be saved and appreciated by future generations. By approaching diaries as historical documents, therapeutic tools, and a form of literature, Bunkers offers readers insight into the self-images of girls and women, the dynamics of families and communities, and the kinds of contributions that girls and women have made, past and present. As a representation of the girls and women of varied historical eras, locales, races, and economic circumstances who settled and populated the Midwest, Diaries of Girls and Women adds texture and pattern to the fabric of American history.
The Adams saga takes a stride through the first half of the nineteenth century, as Louisa Catherine Johnson Adams chronicles her life with John Quincy Adams. Born in London in 1775 to a Maryland merchant and his English wife, Louisa recalls her childhood and education in England and France and her courtship with John Quincy, then U.S. minister to the Netherlands. Married in 1797, Louisa accompanied her husband on his postings to Berlin, St. Petersburg, and London. Her memoirs of Prussia and Russia vividly portray the republican couple in the courts of Europe.
Louisa came to America in 1801 and would share John Quincy’s career as U.S. senator, secretary of state, president, and congressman. Except for his presidency, her diaries for these years have been preserved, and they reveal a reluctant but increasingly canny political wife. Lamentations about loss, including the deaths of three of four children, abound. But here, too, are views of Napoleonic Europe and American sectional disputes, with witty sketches of heroes and scoundrels. John Quincy emerges in a fullness seldom seen—ambitious and exacting, yet passionate, generous, and gallant. Louisa's diaries conclude with her reckoning of an eventful life, which came to a close in 1852.
John Adams' Diary, partially published in the 1850's, has proved a quarry of information on the rise of Revolutionary resistance in New England, the debates in the early Continental Congresses, and the diplomacy and financing of the American Revolution; but it has remained unfamiliar to the wider public. "It is an American classic," Zoltán Haraszti said recently, "about which Americans know next to nothing." Yet the Diary’s historical value may well prove secondary to its literary and human interest. Now that it is presented in full, we have for the first time a proper basis for comprehending John Adams—an extraordinary human being, a master of robust, idiomatic language, a diarist in the great tradition.
The Autobiography, intended for John Adams' family, consists of three large sections. The first records his boyhood, his legal and political career, and the movement that culminated in American independence. The second and third parts deal with his diplomatic experiences, and serve among other things as a retrospective commentary on the Diary; they are studded with sketches of Adams' associates, which are as scintillating as they are prejudiced, parts and in some cases all of which were omitted from Charles Francis Adams' 19th-century edition.
John Adams’s Diary, partially published in the 1850s, has proved a quarry of information on the rise of Revolutionary resistance in New England, the debates in the early Continental Congresses, and the diplomacy and financing of the American Revolution; but it has remained unfamiliar to the wider public. “It is an American classic,” Zoltán Haraszti said recently, “about which Americans know next to nothing.” Yet the Diary’s historical value may well prove secondary to its literary and human interest. Now that it is presented in full, we have for the first time a proper basis for comprehending John Adams—an extraordinary human being, a master of robust, idiomatic language, a diarist in the great tradition.
The Autobiography, intended for John Adams’s family, consists of three large sections. The first records his boyhood, his legal and political career, and the movement that culminated in American independence. The second and third parts deal with his diplomatic experiences, and serve among other things as a retrospective commentary on the Diary; they are studded with sketches of Adams’s associates, which are as scintillating as they are prejudiced, parts and in some cases all of which were omitted from Charles Francis Adams’s nineteenth-century edition.
John Adams’s Diary, partially published in the 1850s, has proved a quarry of information on the rise of Revolutionary resistance in New England, the debates in the early Continental Congresses, and the diplomacy and financing of the American Revolution; but it has remained unfamiliar to the wider public. “It is an American classic,” Zoltán Haraszti said recently, “about which Americans know next to nothing.” Yet the Diary’s historical value may well prove secondary to its literary and human interest. Now that it is presented in full, we have for the first time a proper basis for comprehending John Adams—an extraordinary human being, a master of robust, idiomatic language, a diarist in the great tradition.
The Autobiography, intended for John Adams’s family, consists of three large sections. The first records his boyhood, his legal and political career, and the movement that culminated in American independence. The second and third parts deal with his diplomatic experiences, and serve among other things as a retrospective commentary on the Diary; they are studded with sketches of Adams’ associates, which are as scintillating as they are prejudiced, parts and in some cases all of which were omitted from Charles Francis Adams’s nineteenth-century edition.
John Adams’s Diary, partially published in the 1850s, has proved a quarry of information on the rise of Revolutionary resistance in New England, the debates in the early Continental Congresses, and the diplomacy and financing of the American Revolution; but it has remained unfamiliar to the wider public. “It is an American classic,” Zoltán Haraszti said recently, “about which Americans know next to nothing.” Yet the Diary’s historical value may well prove secondary to its literary and human interest. Now that it is presented in full, we have for the first time a proper basis for comprehending John Adams—an extraordinary human being, a master of robust, idiomatic language, a diarist in the great tradition.
The Autobiography, intended for John Adams’s family, consists of three large sections. The first records his boyhood, his legal and political career, and the movement that culminated in American independence. The second and third parts deal with his diplomatic experiences, and serve among other things as a retrospective commentary on the Diary; they are studded with sketches of Adams’s associates, which are as scintillating as they are prejudiced, parts and in some cases all of which were omitted from Charles Francis Adams’s nineteenth-century edition.
These four volumes begin the publication of the Adams archives, a collection which Edward Everett Hale called a "manuscript history of America in the diaries and correspondence" of a single family.
The Diary, partially published in the 1850's, has proved a quarry of information on the rise of Revolutionary resistance in New England, the debates in the early Continental Congresses, and the diplomacy and financing of the American Revolution; but it has remained unfamiliar to the wider public. "It is an American classic," Mr. Zoltán Haraszti said recently, about which Americans know next to nothing." Actually the Diary's historical value may well prove secondary to its literary and human interest. Now that it is presented in full, we have for the first time a proper basis for comprehending John Adams--an extraordinary human being, a master of robust, idiomatic language, a diarist in the great tradition. From none of the other founders of the Republic do we have anything like a record at once so copious and so intimate.
The Autobiography, intended for John Adams' family but never finished, consists of three large sections. The first records his boyhood, his legal and political career, and the movement that culminated in American independence. The second and third parts deal with his diplomatic experiences, and serve among other things as a retrospective commentary on the Diary: they are studded with sketches of Adams' associates which are as scintillating as they are prejudiced. Parts and in some cases all of these sketches were omitted from Charles Francis Adams' nineteenth-century edition.
In 1779 John Adams wrote, "I am but an ordinary Man. The Times alone have destined me to Fame--and even these have not been able to give me, much." Then he added, "Yet some great Events, some cutting Expressions, some mean Hypocrisies, have at Times, thrown this Assemblage of Sloth, Sleep, and littleness into Rage a little like a Lion." Both the ordinary Man and the Lion live on in these volumes.
In the exploding world of citizen science, hundreds of thousands of volunteers are monitoring climate change, tracking bird migrations, finding stardust for NASA, and excavating mastodons. The sheer number of citizen scientists, combined with new technology, has begun to shape how research gets done. Non-professionals become acknowledged experts: dentists turn into astronomers and accountants into botanists.
Diary of a Citizen Scientist is a timely exploration of the phenomenon of citizen science, told through the lens of nature writer Sharman Apt Russell’s yearlong study of a little-known species, the Western red-bellied tiger beetle. In a voice both humorous and lyrical, Russell recounts her persistent and joyful tracking of an insect she calls “charismatic,” “elegant,” and “fierce.” Patrolling the Gila River in southwestern New Mexico, collector’s net in hand, she negotiates the realities of climate change even as she celebrates the beauty of a still-wild and rural landscape.
Russell’s self-awareness—of her occasionally-misplaced confidence, her quest to fill in “that blank spot on the map of tiger beetles,” and her desire to become newly engaged in her life—creates a portrait not only of the tiger beetle she tracks, but of the mindset behind self-driven scientific inquiry. Falling in love with the diversity of citizen science, she participates in crowdsourcing programs that range from cataloguing galaxies to monitoring the phenology of native plants, applauds the growing role of citizen science in environmental activism, and marvels at the profusion of projects around the world.
Diary of a Citizen Scientist offers its readers a glimpse into the transformative properties of citizen science—and documents the transformation of the field as a whole.
Exploring Ledesma’s experiences from immigrant to student to academic, Diary of a Reluctant Dreamer presents a humorous, gritty, and multilayered portrait of undocumented immigrant life in urban America. Ledesma’s vignettes about life in the midst of ongoing social trauma give voice to a generation that has long been silent about its struggles. Delving into the key moments of cultural transition throughout his childhood and adulthood—police at the back door waiting to deport his family, the ex-girlfriend who threatens to call INS and report him, and the interactions with law enforcement even after he is no longer undocumented—Ledesma, through his art and his words, provides a glimpse into the psychological and philosophical concerns of undocumented immigrant youth who struggle to pinpoint their identity and community.
Originally published in 1939 as volume seven of the Utah Historical Quarterly, Thompson’s journal is reprinted here for the first time in seventy years. Co-published with the Utah State Historical Society.
In 1854 Caroline Seabury of Brooklyn, New York, set out for Columbus, Mississippi, to teach French at its Institute for Young Ladies. She lived in Columbus until 1863, through the years of mounting sectional bitterness that preceded the Civil War and through the turmoil and hardships of the war itself. During that time, her most intimate confidant was her diary. Discovered in the archives of the Minnesota State Historical Society, it is published here for the first time.
The diary is an illuminating account of southern plantation society and the “peculiar institution” of slavery on the eve of its destruction. Seabury also records her uneasy attempts to come to terms with her position as an unmarried, white, Northern woman whose job was to educate wealthy, white, Southern girls in a setting seemingly oblivious to the horrors of slavery. The diary is not simply a chronicle of daily happenings; Seabury concentrates on remarkable events and the memorable feelings and ideas they generate, shaping them into entries that reveal her as an accomplished writer. She frames her narrative with her journey south in 1854 and the hazardous and exhausting return north through battle lines in 1863.
Disapproving of slavery, yet deeply attached to friends and her life in Columbus and also painfully conscious of the fragility of her own economic and social position, Seabury condemned privately in her diary the evils that she endured silently in public. There are striking scenes of plantation life that depict the brutalities of slavery and benumbed responses to them. Seabury also successfully captures the mood of Mississippi as it changed from a fire-eating appetite to fight the Yankees to a grim apprehension of inexorable defeat. Most impressive of all is Seabury’s poignantly honest presentation of herself, caught in the middle.
Third and last of the Adams dynasty of statesmen, Charles Francis Adams followed in his grandfather's and father's footsteps by keeping a diary from youth to old age. With only a few gaps in the earliest years, Charles Francis Adams' diary extends from 1820 to 1880, furnishing a massively detailed and intensely personal record of the writer's life as an undergraduate at Harvard, manager of the Adams family's business affairs, historian and biographer, Free Soil political leader and Republican Congressman, United States minister in London during the Civil War, arbitrator of the Alabama claims at the Geneva Tribunal, and father of a whole constellation of gifted sons.
The Diary of Charles Francis Adams, which is expected to run to at least eighteen volumes under the editorship of Professor and Mrs. Donald, is the second to appear in the Diaries Series of the Belknap Press edition of The Adams Papers. Unlike John Adams' Diary and Autobiography (4 volumes, 1961) and John Quincy Adams' Diary (in preparation), that of Charles Francis Adams has never before been even selectively published. This is partly because the protracted efforts of the family to prepare a satisfactory edition after the writer's death finally broke down under the sheer bulk of the material.
The present two volumes reveal Charles Francis Adams as a sensitive and self-critical young man during his college years, in the social whirl of Washington while his father was Secretary of State and President, during his training as a lawyer in Daniel Webster's Boston law office, and throughout his proonged courtship of Abigail B. Brooks, a New England heiress. A central theme of these volumes is the struggle which raged within young Adams' mind and heart between the warm, poetic heritage of his Southern-born mother and the cold, political, New England legacy of his Adams forebears. The defeat of his father in the 1828 ejection, the tragic death of his older brother, and his marriage to Abigail in 1829, with which the volumes end, were way stations in his course toward making himself a 'New England man." This complex struggle in a young man's mind is one of the most fully chronicled and dramatic episodes in the entire body of the Adams family archives at the Massachusetts Historical Society, tinder whose supervision The Adams Papers are being edited.
The period of June 1836 to February 1840, from Charles Francis Adams’s twenty-eighth to thirty-second year, was characterized by his turn from the political activities that had occupied him for the preceding several years. The course of the Van Buren administration he had helped to elect dissatisfied him, the Massachusetts Whig leadership had earned his distrust, positions on political issues that would either echo or oppose those being vigorously espoused by his father, John Quincy Adams, he felt inhibited from avowing publicly. So confronted, Charles found occupation in preparing and expressing himself on economic matters of moment—banking and currency—and moral questions generated by the slavery issue. With increasing effectiveness he employed the lecture platform and the press for the expression of views to which he felt free to attach his name. On all these matters he found his opinions at odds with the prevailing ones held among those prominent in the Boston scene, as John Adams and John Quincy Adams had found before him. Yet, despite a sense of loneliness, so induced, his participation in the varied social life of the city has its place in the Diary.
However, activities in Boston and its environs that provided a focus for the record of the preceding years give way in these volumes to wider scenes made available by train and ship. An extensive journey with his wife by way of the Hudson River and the Erie Canal to Niagara and Canada, a visit of some length and interest in Washington, and stays of lesser length in New York City are recounted.
Wide and persistent reading, the theater, numismatics, and the building of a summer home in Quincy also occupied him and are fully reflected in his journal. Family tragedies are not absent from its pages. As the period comes to its close his long and distinguished labors as editor of the family’s papers had begun. A new self-assurance has become evident.
A man’s twenty-seventh year is “critical,” according to Charles Francis Adams. And so his proved to be. Twenty-five at the start of these volumes, Adams had yet to embark on the public career that would mark him a statesman, but by their conclusion he had been drawn into the maelstrom of politics. It was an unwilling plunge, dictated by what both he and his father, John Quincy Adams, regarded as betrayal of the elder Adams by Daniel Webster and his Whigs. Once in, however, he showed himself politically adept.
This diary, kept from January 1833 to June 1836 and hitherto unpublished, has elements of hidden personal drama. Through private meetings and caucuses and newspaper articles signed with pseudonyms, the younger Adams found effective means to carry on political activities in the face of dilemmas posed by his father’s public prominence, his father-in-law’s contrary persuasions, and his own preferences. He emerged with growing self-respect and solid accomplishment as political journalist—his initial vocation.
The diary has fresh disclosures also about the personality of John Quincy Adams, shrewdly assessed by an observer uniquely placed to interpret domestic scenes as well as the greatly waged struggles in Washington against the Southern “slaveocracy” and “gag rules.”
Colorful figures in Boston’s political and social life are finely etched in outspoken appraisals characteristic of the Adamses. The diarist shows acuteness too in comments on books, sermons, paintings, the theater, and opera.
In these volumes the second decade of the sixty-year diary of Charles Francis Adams, the third of the family’s statesmen, is begun. As was true of the two earlier volumes of the Diary, the section appearing here has not before reached print.
Covering the period from Adams’s marriage in September 1829 to the end of 1832, these volumes record the early years of his maturity during which he was seeking to find his vocation. Engaged in the day-to-day management of John Adams’s business interests in Boston, he nevertheless had no inclination toward commerce or the active practice of law. Son and grandson of presidents, proud heir to a name already great and controversial in American politics, he also at this time considered himself “not fitted for the noise of public life.” Dependent for support on his father and father-in-law but determined to maintain his independence, he devoted his available time to a program of studies and writing that would prepare him for a career he hesitated to name but in which he wished distinction. His own public career still years away, he was drawn at this period to the study of American history and his famous grandparents’ papers, an effort that would continue and that would make him the family’s archivist and editor.
These volumes offer manifold opportunities for an enlarged understanding of a complex and able man who was later to assume positions of high responsibility. In addition to furnishing innumerable personal and familial insights, this portion of the diary is of capital importance for the historian of society and culture. Probably no more detailed and faithful record exists of Boston life in the period.
Third and last of the Adams dynasty of statesmen, Charles Francis Adams followed in his grandfather’s and father’s footsteps by keeping a diary from youth to old age. With only a few gaps in the earliest years, Charles Francis Adams’s diary extends from 1820 to 1880, furnishing a massively detailed and intensely personal record of the writer’s life as an undergraduate at Harvard, manager of the Adams family’s business affairs, historian and biographer, Free Soil political leader and Republican Congressman, United States minister in London during the Civil War, arbitrator of the Alabama claims at the Geneva Tribunal, and father of a whole constellation of gifted sons.
The Diary of Charles Francis Adams is the second to appear in the Diaries Series of the Belknap Press edition of the Adams Papers. Unlike John Adams’s Diary and Autobiography and John Quincy Adams’s Diary, that of Charles Francis Adams has never before been even selectively published. This is partly because the protracted efforts of the family to prepare a satisfactory edition after the writer’s death finally broke down under the sheer bulk of the material.
The present volume reveals Charles Francis Adams as a sensitive and self-critical young man during his college years, in the social whirl of Washington while his father was Secretary of State and President, during his training as a lawyer in Daniel Webster’s Boston law office, and throughout his prolonged courtship of Abigail B. Brooks, a New England heiress. A central theme of these volumes is the struggle which raged within young Adams’s mind and heart between the warm, poetic heritage of his Southern-born mother and the cold, political, New England legacy of his Adams forebears.
Third and last of the Adams dynasty of statesmen, Charles Francis Adams followed in his grandfather’s and father’s footsteps by keeping a diary from youth to old age. With only a few gaps in the earliest years, Charles Francis Adams’s diary extends from 1820 to 1880, furnishing a massively detailed and intensely personal record of the writer’s life as an undergraduate at Harvard, manager of the Adams family’s business affairs, historian and biographer, Free Soil political leader and Republican Congressman, United States minister in London during the Civil War, arbitrator of the Alabama claims at the Geneva Tribunal, and father of a whole constellation of gifted sons.
The Diary of Charles Francis Adams is the second to appear in the Diaries Series of the Belknap Press edition of the Adams Papers. Unlike John Adams’s Diary and Autobiography and John Quincy Adams’s Diary, that of Charles Francis Adams has never before been even selectively published. This is partly because the protracted efforts of the family to prepare a satisfactory edition after the writer’s death finally broke down under the sheer bulk of the material.
The present volume reveals Charles Francis Adams as a sensitive and self-critical young man: in the social whirl of Washington while his father was Secretary of State and President, during his training as a lawyer in Daniel Webster’s Boston law office, and throughout his prolonged courtship of Abigail B. Brooks, a New England heiress. A central theme of these volumes is the struggle which raged within young Adams’s mind and heart between the warm, poetic heritage of his Southern-born mother and the cold, political, New England legacy of his Adams forebears. The defeat of his father in the 1828 election, the tragic death of his older brother, and his marriage to Abigail in 1829, with which the volume ends, were way stations in his course toward making himself a “New England man.” This complex struggle in a young man’s mind is one of the most fully chronicled and dramatic episodes in the entire body of the Adams family archives at the Massachusetts Historical Society, under whose supervision the Adams Papers are being edited.
These volumes begin the publication of the greatest diary, both in mass and substance, in American History. Recording a span of sixty-eight years, it has been known heretofore only in partial form. When, over a hundred years ago, Charles Francis Adams edited his grandfather’s diary, he chose to omit “the details of common life,” reduce “the moral and religious speculations,” and retain criticisms of others only if they applied to public figures “acting in the same sphere with the writer.”
Now the diary is being published complete for the first time. Starting with the entries of a twelve-year-old, the present volumes cover John Quincy Adams’ formative year—his schooling and travel broad, study at Harvard, and the first months of training for the law. Adams’ six years overseas with his father took him to a half dozen countries, with lengthy stays in Paris, the Netherlands, and St. Petersburg. On his return he stayed for a time in New York, making the acquaintance of influential congressmen. To finish preparing for college, he lived with an aunt and uncle in Haverhill, caught up in a round of social activities. Entering Harvard with junior standing in the spring of 1786, he graduated in fifteen months.
As Adams matured, diary entries became less a dutiful response to a father’s request and more a record of the young man’s perceptive observations and reflections—and thus a rich source for social history. There are accounts of play-going in Paris, evenings with Lafayette and Jefferson, the diversions of rural New England, apprenticeship in a Newburyport law office. And through the eyes of a serious but not unbending student we are given a picture of Harvard in the 1780s.
Candid opinions of preachers, writers, men of affairs, and family members accompany the closest self-scrutiny. Here is a remarkable record of the passage from adolescence to manhood of a precocious and sensitive boy torn by self-doubt and driving himself to fulfill his promise and his parents’ expectations.
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